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Soundbombing II is the second installment in Rawkus Records' Soundbombing compilation series. Soundbombing II; Compilation album. Shop Rawkus Presents Soundbombing II. Customers who viewed this item also viewed. What other items do customers buy after viewing this item?
Various artists:: Soundbombing 2:: Rawkus various artists:::: Rawkus as reviewed by DJ Fatboy The first thing I thought as I picked up Soundbombing II is that, 'This is already gonna be doper than the last one' Why? Because Evil Dee ain't in the mix (c'mon kick it) every other five seconds.
This time, J-Rocc and Babu of the world's famous Beat Junkies is wreckin shit on the 1's and 2's. What these two do during the various intros and interludes (check Babu's rhyme skills at the end of the album! Ha ha!) is enough to send you scurrying back to the store to find the Beat Junkies albums, if you don't got em already. Soundbombing II, the second in Rawkus records line of mixtape-like compilations, serves up a collection of underground emcees bringin serious heat over production by the likes of DJ Hi-Tek, Mr. Lee and others.
Now, without further ado, lets get into the play by play. Not counting interludes and intros, of course. 'Any Man,' with a beat provided by the Beatminerz, showcases that nasal motherfucker Eminem as Eminem, not that Slim Shady character. If you've got that LP, this track is more of the same, and would have fit well on the album. Nice start to the show, followed by 'B-Boy Document 99'.
This beat by Mighty Mi pings into your consciousness, thumpin and crackin all the way, as Mad Skills, The High and Mighty and Mos Def drop gems all over it while DJ Sebb's scratchin infects the cut. Mad Skills seems to have blown the spot wide open until Mr. Eon steps on the scene, droppin lines like, 'Defeatin me is like Latrell chokin up John Thompson,' and referring to himself as Jedi Master Mace Windu. Unbelievably, the beat morphs into something even funkier, as Lee Stone brings horn hits and noise to 'WWIII', the perfect background for Pharoahe Monch to show MC's what mastery of the english language really sounds like. Shabaam Sahdeeq shows up and shines almost as bright, as the track forces you to cradle your head in your hands it's so fuckin dope. Unfortunately, it doesn't keep getting better and better, as the blend slides into 'Stanley Kubrick' by Ra the Rugged Man, a confused, jumbled mess of a song that sounds like what might have happened if Ghostface Killah had graduated from Harvard: disjointed, stream of consciousness bullshit that makes no sense at all, really. One of the few missteps on the entire album.
This mistake is made up for on Medina Green's 'Crosstown Beef,' where a story rhyme about different dramas unfolds over a loping, amiable beat produced by Posdnuos of De La Soul. The rhymes aren't cliched or forced, but rather conversational. Mos Def, on his second of three appearances, shows his versatility on this track by weaving a compelling story. '7XL' promises to be tight when you read that Puba and Sadat X are teamed up on it. DJ Spinna sets down a laid back head knocker for a beat that makes good on the promise. Sir Menelik is like icing on the cake, as all three bounce off the beat effortlessly. 'Chaos' slides in with a textured beat, with muted horns quietly stabbing at the drumbeat provided by DJ Hi-Tek.